SNAFU: Detroit Punks Go Podunk

in Culture

I’d spent a large part of the afternoon licking a week’s worth of journalistic wounds: unapologetically abusing a slew of strong IPAs from the comforts of the front porch, getting all glassy eyed in between regular fill-ups, while watching the October sky serve as a reminder of how all things, both the good and bad, come to an end. I had pretty much resigned myself to staying in for the night. The outside world had nothing left to offer. Might as well wallow in self-loathing. Perhaps I’d check out the new Hellraiser flick or just glutton myself to death on some trashy cuisine that would surely serve as penance for a life gone wrong. “To hell with it,’ I thought to myself. I’ll get ‘em next time.” There’s always tomorrow. 

But tomorrow would have to wait. It’s not often that a band as aggressive as a cranked-up badger being held against his will by his tiny, little nutsack comes barreling through the cornfields of Southern Indiana on a wild-eyed mission to clobber its inhabitants and prove themselves worthy of the next level of metaldom. No way I was missing that. Newfangled bands like SNAFU are always the hungriest of the breed, the euphonious equivalent of a snarling, junkyard dog with nothing in their pockets but guts, a tendency for ruination and an inflamed liver.

Since their latest tour was dragging these poor bastards through the armpit of America – a place where music is often stillborn, unoriginal and uninspired — it was clear the foursome wasn’t being given any preferential treatment. Nope, just like the black and white predecessors of punk, they were being shot out of the sphincter of some foul beast, forced to pay dues upon dues before they’d ever be allowed …

Read More

Author: Mike Adams / High Times

Leave a Reply

Your email address will not be published.


Latest from Culture

0 $0.00
Go to Top