One of the first things that drew me into ‘counter culture’ at a young age was the sense of rebellion it evoked. Part of the ‘cool factor’ of smoking weed was that I wasn’t allowed to do it, and that I’d get in trouble if I got caught… it made me feel like an outlaw. I didn’t realize until years later that part of the reason I was writing my name on everything was because it was evoking similar feelings. I wasn’t conscious of it at the time, but the same feeling of rebellion that lead me to graffiti years earlier was the catalyst for arguably the longest lasting relationship of my life— my relationship with Mary Jane.
We often don’t think of these two cultures as being particularly intertwined past the questionable legality—likely because graffiti typically involves a lot of running, and weed makes you, well, slow down. But still, the similarities are plentiful. I won’t dig into the minutia, but here’s the 101: both practices began as less-than-legal forms of expression, developed cult-like followings, exploded into major industries, and eventually moved into the cultural zeitgeist. Now, at a time where CBD is available at gas stations around the country, Street Art is maturing at a similar pace—moving from slaps and tags into coveted (and impossible to obtain) art pieces commanding top dollar.
Last summer I bought three tickets to a show in Los Angeles that I saw on one of my favorite designers Instagrams. It was called Beyond the Streets. None of my friends had heard of it, but it looked interesting, so I managed to entice two of them to go through promises of a hazy trip over, and by buying their tickets. What we experienced was unlike any …
Author: Jon Cappetta / High Times