A debate about which album aged better: The Game’s Documentary or 50 Cent’s Get Rich or Die Tryin’. One party suggests 50 Cent’s seminal ‘03 debut due to its cultural relevancy and influence on the commercialization of Gangsta rap. Another party presents The Game’s solo debut simply because of “Hate it or Love it.” On the television is a pre-fame 50 Cent on a rooftop, offering advice on absorbing knowledge, self-manifestation, and the parallel between the hood and corporate America—Pink Siifu and Ahwlee, or B. Cool-Aid, sit inches apart: Siifu on the low-rising couch and Ahwlee on a chair close to the table. Siifu changes the television, putting on a video of D’Angelo Voodoo session outtakes. The air is relaxed and sweetened with the aroma of marijuana. Ashes pile in the wooden basket on the table. Siifu, with a slab of Rastafarian decorated marble, fronto leaf, and his sealed flower of choice, while I roll a joint of my own on my lap.
Jazz-soul fusion duo B. Cool-Aid is preparing to release their first album in four years, Leather Blvd, due March 31st. “Something flashy. We wanted to be running sexy with it,” Siifu says about the album title. Both Siifu and Ahwlee resonate serenity in the room, a still calmness that’s also in their music. During their four-year absence, Siifu and Ahwlee became successful artists in the underground rap scene. When asked why a B. Cool-Aid record now, they reply, “life” and that it’s the right time. Siifu, an enigmatic artist from Alabama, has released works with Flyanakin, Yungmorpheus, and AKAI Solo, along with two studio albums—one of them being a punk-thrash project titled Negro—and a collaborative tape with producer Real Bad Man released last year. Bay-area producer Ahwlee released two instrumental albums, …
Author: Anthony Malone / High Times